mahoneys voice vacillates smoothly between ghostly and falsetto, while mcnanys arrangements and instrumentation bump, click, and whirr like a lovingly tuned rube goldberg jukebox. not too surprising, perhaps, considering they named the band after a song by schizophrenic outsider favorite daniel johnston, and they cite harry nilsson and roxy music as influences. (vibe)
incl. prins thomas remix!! ltd edition sampler for the first a man called adam album since 1998 - rekindling that balearic, emotional, pop-not-pop feel they re famous for, with remixes from norwegian golden boy prins thomas & brazils very own, carrott green alongside a dub mix from a man called adam.
marlow and his partner rainer trüby came up with a lush, deep house stomper featuring a little vocal shred we all think we know. limited to 200 copies!!
the fifth release from the bunte kuh label is another winner: it comes from bardia salour and features three fresh originals with a remix from peter schumann. it s also set to be available on vinyl release too. salour is a german artist who runs his own esteemed events in hamburg and has played all over europe from watergate in berlin to culture box in copenhagen. his dub infused style is utterly distinctive and these new cuts prove that once more. north scapes opens up with a molten, acid tinged bassline. as it grows more wild there are icy hi hat loops layered in with some big piano chords to finish it in style and mean the floor will really go wild. liquid lava is more direct, with hard hitting techno kicks and deft synth sounds colouring in the grooves. then comes the excellent urban signals, a dramatic, dubbier cut with cavernous bottom ends and subtle, supple synths layering in warmth and atmosphere. last of all, peter schumann s lsd25 restyle of north scapes pairs it back to a warm, bubbly warm up house tune that will get you moving with its sonar blips and nice, deep cut and churning drums. all four of these tracks are fresh and classy efforts sure to make their mark.
the second release on oflynn s hundred flowers label comes from up and coming artist soundbwoy killah - and follows on from his sold-out releases on sneaker social club and warehouse rave. the a-side burning was a highlight of mall grabs most recent boiler room and is a straight up breaks banger destined for dancefloors. whilst the b side moving on takes on the same formula, in that it too is a stone cold banger.
shout out to my barrys da mix, leon, vonnett, james, tilde, jamie k, edem, mr2, fugee, 88.2 crew, leon at music house, loxy, mike p, logos, parris, mickey pearce, scratcha, all the silent listeners and all the bedroom ravers. run out groove etching im oldskool like stratford rex, i’m oldskool like templ
club of jacks have been previously spotted on labels like plastik people and blockhead, which should give you an idea of where their sound is pitched. this is classic house with a distinctive uk slant - the beats are up front and the bass is mighty strong. the subs on -alright- just can t be beaten, not least when peppered with other sound system garnishes that keep things ruff and tuff. -raw like 94- makes great use of a lisa stansfield sample for lyrical input, but once again the emphasis is on the weighty production. it s a sound that carries through the b side too, providing you with four highly workable jams for the peak of the night
love bite compiles the efforts of a cadre of talented djs-cum-producers from across the globe for a selection of 4 songs each tailored for before, during and after peak time at your pool party or discotheque.
the 1995 queen album is back - half speed mastered and pressed on 180 gram heavyweight double vinyl, housed in a gatefold sleeve. incl you dont fool me !
after noticed releases and sold out references for the first two, n&b innovates with this various at the edge of the house, between balearic, deep and nu-disco. eager to mix styles and influences by inviting long-time favorites and close entourage, it’s now done. joining the canadian roberto s, a vision of panorama from st. petersburg and the french léon revol and too smooth christ. without forgetting folamour and tell, respectively composers of the first and third opus of the label who reoffend so.
free soul 1969 the groove is heavy too ñ and a popular hip hop sample ñ but really itís all about klemmerís blisteringly intense, stream of consciousness freak-out. been sampled over 16x from ini to ed o g & da bulldogs to kurious, akinyele, dred scott to name a few. klemmer just wyles out on the sax keep that psychedelic funk moving!! side b. up above the rock edit 1968 you wonít find too many jazz songs that start with a drum break, but then this is probably one of the better jazz/soul hybrids iíve heard in some time. produced by richard evans this song is a perfect display of acoustic jazz funk with ron carter & grady tate filling out the rhythm section. dance floor classic!
re-release: released in 199, the sound of electro / techno came to a point where it had to evolve into a new and more grounded entity, keyed into funk / space & rooted origins that reflected an ever-changing landscape throughout detroit and the aux-quadrant. the bouncy bass line soul of posatronix project emerges in silence among several platforms without hint of a proper biography or introduction. later on the guard would be let down that an original lineup member from aux88 (william bj smith) either produced or inducted a spin-off group over seen by aux. no video, photos, or interviews accompanied the music. now in 2018, we re-introduce these dance floor/ dj crate mainstays that have continued to be cherished classics from the very men that not only too rhythmically-funky electro by storm, but raised the bar and took matters into their own hands. 100% mechanical electronic funk.
you can enter: artist title label in this search field at the same time e.g.: Kalkbrenner Berlin Bpitch inverted commas for exact word order, e.g.: "in between"